Illapu: Discursos y contextos. 50 años de diálogos con la Historia de Chile, 1971-2021.
Loading...
Date
2024
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Universidad de Concepción
Abstract
El título de la presente investigación doctoral es "Illapu: Discursos y contextos. 50 años de diálogos con la Historia de Chile, 1971-2021." La hipótesis plantea que la obra del grupo Illapu configura un discurso histórico que explica en profundidad los diversos acontecimientos sociales y políticos ocurridos en Chile durante el período de 1971 a 2021. Esta obra representa un recorrido de diálogo constante entre su música y las trayectorias históricas de Chile y Latinoamérica”. El objetivo general de la investigación es examinar críticamente el discurso social y político presente en la obra de Illapu y su relación dialógica con la trayectoria histórica de Chile durante el período mencionado. La metodología se enmarcó en el paradigma de la Nueva historia cultural y se desarrolló utilizando un enfoque cualitativo. Se empleó la herramienta metodológica de análisis del discurso y de historia oral para llevar a cabo el trabajo hermenéutico. Además, se realizaron dos entrevistas abiertas en profundidad a Roberto Márquez Bugueño, fundador y director musical de Illapu, las cuales fueron claves para profundizar en la temática tanto en términos generales como específicos. También se consideraron fuentes secundarias, como textos relacionados con el paradigma historiográfico y metodológico, contexto histórico, corrientes culturales, enfoques metodológicos desde la musicología hacia la reconstrucción histórica, y elementos audiovisuales actuales como recitales, documentales y entrevistas. Los resultados y conclusiones de la investigación contribuyen a la profundización y difusión de un nuevo conocimiento surgido a partir de un análisis crítico y reflexivo de las composiciones más significativas de Illapu. Esto permite una resignificación de su obra y su contexto, trascendiendo la mirada biográfica y la mera remembranza de un pasado reciente.
The title of this doctoral research is Illapu: Speeches and contexts. 50 years of dialogues with the History of Chile, 1971-2021". The hypothesis is that the work of the group Illapu configures a historical discourse that explains in depth the various social and political events that occurred in Chile during the period from 1971 to 2021. This work represents a journey of constant dialogue between their music and the historical trajectories of Chile and Latin America. The general objective of the research is to critically examine the social and political discourse present in Illapu's work and its dialogic relationship with the historical trajectory of Chile during the mentioned period. The methodology was framed within the paradigm of the New Cultural History and was developed using a qualitative approach. The methodological tool of discourse analysis and oral history was used to carry out the hermeneutic work. In addition, two open in-depth interviews were conducted with Roberto Márquez Bugueño, founder and musical director of Illapu, which were key to deepen the subject in both general and specific terms. Secondary sources were also considered, such as texts related to the historiographic and methodological paradigm, historical context, cultural currents, methodological approaches from musicology to historical reconstruction, and current audiovisual elements such as recitals, documentaries and interviews. The results and conclusions of the research contribute to the deepening and dissemination of new knowledge arising from a critical and reflective analysis of Illapu's most significant compositions. This allows a resignification of their work and its context, transcending the biographical look and the mere remembrance of a recent past.
The title of this doctoral research is Illapu: Speeches and contexts. 50 years of dialogues with the History of Chile, 1971-2021". The hypothesis is that the work of the group Illapu configures a historical discourse that explains in depth the various social and political events that occurred in Chile during the period from 1971 to 2021. This work represents a journey of constant dialogue between their music and the historical trajectories of Chile and Latin America. The general objective of the research is to critically examine the social and political discourse present in Illapu's work and its dialogic relationship with the historical trajectory of Chile during the mentioned period. The methodology was framed within the paradigm of the New Cultural History and was developed using a qualitative approach. The methodological tool of discourse analysis and oral history was used to carry out the hermeneutic work. In addition, two open in-depth interviews were conducted with Roberto Márquez Bugueño, founder and musical director of Illapu, which were key to deepen the subject in both general and specific terms. Secondary sources were also considered, such as texts related to the historiographic and methodological paradigm, historical context, cultural currents, methodological approaches from musicology to historical reconstruction, and current audiovisual elements such as recitals, documentaries and interviews. The results and conclusions of the research contribute to the deepening and dissemination of new knowledge arising from a critical and reflective analysis of Illapu's most significant compositions. This allows a resignification of their work and its context, transcending the biographical look and the mere remembrance of a recent past.
Description
Tesis presentada para optar al grado de Doctor en Historia.
Keywords
Discurso analisis, Historia critica